The Kabul money men

The lay out of my "Faces of Kabul" book is now underway. One of the pages Id like to share with you all is the "money men" You'll see these guys throughout the streets of Kabul. Bundles of cash by their side and in open view, waiting for you to come along and trade with them. There’s not a thief in sight thanks to the Taliban as crime levels in the great city are at the lowest levels ever since they came to power

For these guys, the dollar is the currency of choice. The larger the bills, the better rate you’ll get. Their rate do vary but I was fortunate to have Hamza, my fixer, by my side when I changed my cash. There are a few cash point in and around the centre of Kabul, but at with a 7% charge attached to them, I sooner trade with these guys

The future is bright, the future is Foto

Around about this time last year, I spoke briefly about the rise in popularity of Foto and how the future might look for us photographers.

Whilst other photography platforms have faded or even disappeared, Foto is still here and gathering pace. The promises on the R&D time scale front that Michael and his business partner put together have been faultless and the updates just keep coming and coming. The platform continues to expand and the browser version, for those of us such as myself, will be along soon and I’m told by Michael, there’s even more for us to come.

I put a series of questions to Michael recently and here’s what he had to say:

What is the end goal Michael? - Our big dream is to build the global home for photography with a mix of software and in-person experiences. Even though AI is here, we still believe humans will want to record their existence by making photographs and sharing them with others. Photography is a flexible medium that connects all of us around the world. Almost everyone takes photos and shares them with someone else. We want everyone to feel welcome on Foto, from seasoned professionals to casual users who want to share photos with their family. Photography is often a portal to different locations and times. We believe that creating a platform that exclusively serves photos rather than videos will create a unique experience compared to current social media apps.

How have you managed to stay afloat when others being self-funded have crashed and burned? - We are supported by our amazing Ambassadors who continue to subscribe monthly and annually to Foto. We also have a Pro Membership that continues to grow through our in-app subscription option. We will release more Pro Features this year, which we hope will show more people the value of becoming a Pro member. These Pro subscriptions keep us funded and allow us to continue to build Foto for the long term.

Will you continue to self-fund? Yes, our goal is to build Foto for our users and not investors or advertisers. We are committed to offering a quality product that people are willing to pay for. We believe that our transparency and willingness to listen to our users will continue to encourage more people to support us financially, given the value they receive from Foto.

When you've done what you've done, will you sit back and allow the platform to build itself? I think we'll always be involved with Foto. There are many things we are excited about that will embrace the rich history of photography and how photos are enjoyed. Sharing digitally is wonderful, but we believe in printing, photo books, and in-person events. Our goal isn't to build Foto and sell it or let it slowly die off after we reach a certain growth level. Photography is good for people, and we want to keep photography human.

Let’s not forget the journey here, from its conception back in 2021/22, Michael and his partner have been working endlessly and self funded Foto throughout the whole phrase of its development and just look where they find themselves today. Outstanding work guys.

I’d like to thank you on behalf of us all. Keep the faith. The future is more than bright, the future really is Foto. RD

Rollei Retro 400 - Another first

I’ll never say never when it comes to trying a new film stock, so this time its a roll of black & white Rollei Retro 400.
Those of you who know me well, will also know that Im a massive Double X fan and thats always been my go to b&w stock for years. I love it. Nothing has ever matched Double X on the quality front for me but recently I saw someone else’s work and they used a roll of Retro 400 and that got my attention

So did if work for me then? In some respects yes. I liked the contrast but perhaps not the grain so much. There’s an element of softness to Rollei’s which isn’t for me really. Still, i't’s an interesting stock. Would I shoot it again? Yes, I certainly would. Enclosed are a few more shots of nothing other than random subjects, why not heh……

"Faces of Kabul" Cover shot for the book.....

After much deliberation, Olivia (the book designer) and I, have short listed the following images for the books cover shot. Its always tough when it comes to selecting the right images for print as you only get one chance to do it. We believe that these are the strongest four images that best represent, the “faces of Kabul” for us. What do you think?

Tea with Muslim Dost

My meeting with Muslim Dost was set some time ago and at that time, I was under the impression that I was meeting him at his home. That changed swiftly when Hamza, my fixer, got a phone call and said, “we’re going to meet my uncle now”. I completely understood that could be the case as he is a senior Taliban member and a high level target. There are factions/cells still out there that want to cause conflict inside Afghanistan as well as the likes of Pakistani who have made him a wanted man.

We arrived in what I can only best describe as a compound area with large steel gates and a small restaurant/cafe inside. He was already there with several bodyguards and his main bodyguard, Khan wali. Always by his side and always armed. Hamza introduced me to him and he welcomed me as a friend. I was touched. We then sat down in a small glazed area and the green tea came out. Something I was offered by everyone I met in Kabul. My purpose of the meeting with him was to chat about his experiences and of course to shoot some portrait shots of him which he had already agreed to. He brought his grandson with him who just sat there and listened to us and looked up at him from time to time. Sweet little kid….

I’d like to put a few things into context here if I may. This is a man that was imprisoned in Guantanamo Bay and systematically tortured both physically and mentally by the Americans with the sole purpose of extracting information from him. His faith as a muslim kept him sane and his love of writing poetry. He wrote many books whilst he was there only for the Americans to take them away from him and burn them all.
After his release, he wrote a book called The Broken Shackles of Guantanamo. (Da Guantanamo Matay Zawlanay) detailing his experiences in that infamous detention camp. 

I was told that over the years, both CNN and the BBC have requested interviews with him, which he granted. Their promise to Muslim Dost was to print the positive aspects of those interviews. That just didn’t happen. And why? simple, these news corporations are only interested in what they can sell, negative aspects of Afghanistan rather than promoting his Islamic beliefs and all of the positive aspects of his great country.

Muslim Dost had many opinions on what I asked him, via Hamza of course. One thing was for certain though, and this was a question I asked many Afghani’s whilst I was there, Trump? Strange isn’t it, they all had similar opinon’s, as did Abdul. He’s a fool, an idiot, with far too much power and very little sense.

My meeting with him was a humbling one, a positive one and an interesting one. He greeted me as a friend, I shared tea and soup with him and I found him to be a softly spoken man and a true Afghani. Deera Manana Abdul….

Khan wali & Muslim Dost, side by side. Inshallah…

heading to Kabul...

Finally Im all sorted! After a little research both on line and care of my Afgan fixer/guide Hamza, I’ll be heading to Afghanistan real soon.The purpose of the visit is to document and photograph the people of Kabul on 35mm film and this will form the “faces of Kabul” project Im putting together. A three day short trip with a detailed shooting schedule in place and with Hamza by my side guiding me along the way. Manana Hamza…thats thank you in Pashto.

Once Im back, I’ll be sharing this content with you guys on line via the www.facesofkabal.com web site Ive set up and hopefully on an informative Facebook page to guide you guys through a trip there if you fancy it. Its safe by the way, trust me….RD


Shooting colour? then shoot Ektar..

If you’re a lover of colour stock to shoot with, then look no further than Kodaks Ektar. Its an epic film and handles colour so, so well. The more vivid colours you can find, the better. It mops it up. On a recent 48 hour trip to Faro my film choice for me was simple. Marry that up with one of Nikons most solid rigs, ie the F2, then what a partnership. Portugal is full of those solid mediterranean colours alongside great light and those beautiful blue skies.

The skies whilst I was there were just as you’d expect, bright and blue. Again, Ektar just loves this. Ive yet to find a colour stock that delivers for me in so many ways. I have in the past been a lover of Portra but that stock has a very netural and clinical look to it. I still love shooting it though.

Throughout Faro there are pockets of really decent street art along side some not so nice amateur juvenile tagging which spoils the towns good looks. It wasn’t long though before I came some sweet examples of quality street art. I was surprised though by their location, in the old town.

Film photography is all about what suits you best. There no such thing as the best film, just the best film that suits your needs. Enclosed below are a few more shots I took during that 48 hour trip.

As always, no PS, LR, presets or filters were used in any of my work. Something I stand by and will never change.

I thank you. RD

its auction time.....

I was really grateful recently to be given access to document an area that the general public don’t often see. Im referring to Truro’s main livestock market. One of only two now remaining in Cornwall. I was under the impression that such markets might be a private space for bidders and buyers but with the help from Andrew, Lodge & Thomas’s main auctioneer, that was far from the truth. Ive wanted to shoot and document the behind the scenes look at one of these markets for some time now this what I saw and documented in black and white of course and on film. Timeless look you might say.

Truro livestock market is held on a Wednesday just outside of Truro. The sales are a mixture of cattle, sheep, pigs of all types brought in from the local areas and being sold throughout the UK. Prior to the sale getting underway, farmers, buyers etc get the opportunity to preview the livestock. Bidding gets under way at 10am and the bidding ring begins to fill up just prior. Andrew stands in what I guess is called the bidding box overlooking the buyers/sellers and the cattle sale gets underway.

If you’ve ever had the chance to listen to an auctioneers voice once bidding gets underway, then you’ll know they make no sense to you whatsoever. The buyers, they understand it all as does Andrews admin assistant that sits next to him writing down all of the winning bids. Andrews decades of knowledge and experience see’s all that goes on. The nod of the head, the roll of the eyes, the slight raise of the finger, all of these signals he picks up which adds to the vocal bidding process.

In an others area of the market which is vast, some of Andrews colleagues are fronting the sale of other livestock auctions to include sheep and calves. These follow the same format but my apologies here Andrew, I understood them to some degree in terms of the price and how the bidding was progressing. I was very difficult to understand your auction banter. You knew what was going so no issues there.

It was really interesting to watch and to document and shoot the whole process of the auction from the delivery of the livestock, their care, the movement of all of the cattle/livestock on the day and their well being. It was helped along the way by the professionalism of all of the staff involved alongside side Andrew. A big thank you to all concerned… RD

olympus trip 500 review

Ive lost count the number of times Ive wittered on about the fact that you should never underestimate the power of a cheap little point and shoot rig. Inexpensive but a whole heap of fun to just point and shoot without having to fanny about with all those settings. Afterall, thats what they are all about. On this occasion, I went for a Olympus trip 500 which I picked up at a car boot for £2. Loaded with a roll of Kodak Proimage 100, I just pointed and shot.

Be under no illusion here, this is not a camera with a fine glass lens. Plastic is what you get but if Im honest, Im really happy as to how these images came out. The colour is helped along the way with the help of a roll of Proimage 100. First time Ive used it and yes Id use it again.
Cornish light helps I reckon and I did wait for some finer weather to test this little plastic fella.

No, you dont get pin sharp images unless you’re a PS, LR freak and enjoy sharping up your images. Me! never have and never will. The camera will always be about just pointing and shooting, nothing more. However, I love how these shots came out. They all have a misty, slight blur to them and full of grain. One major fault with the Olympus trip 500 is the very annoying flash. You cant turn it off. Very annoying

One major fault I will point out on the Olympus trip 500 for me was the annoying flash. You cant turn it off. So annoying. To summarise, its a great little rig, fun to use and super easy to shoot with. Plastic, yes, cheap, yes but very functional. Additional shots below…..RD

and so the harvest came

I always look forward to our summer harvests when the Combines work the fields and lift their crops. The crop this season in the fields that surround us was spring barley. I know, its summer time but the barley is planted in the spring, hence the connection. I always have the best view and on this occasion I shot what I saw on medium format with a roll of expired Velvia. It was a windy and dusty day with low cloud.
I so wished for our Cornish blue skies that day but it was not meant to be.

The Combine worked the fields in a similar pattern with the tractors and trailers not too far away ready to catch the ears of Barley. The driver radio’s the tractor drivers and they pull alongside the Combine and the grain is off loaded. The farmer told me that this was one of the driest harvests that he could remember

Within a few hours, all of the 21 acres of barley that surround us had been harvested, leaving behind fields full of straw for them to return at a later date and bale for the winter months. They make the whole process look so easy.

I shot this on a roll of well expired Velvia, one of my fav E6 stocks. Always at box speed as I dont believe in that one stop per 10 years rule. Colours and grain, excuse the pan, were good although there was an element of redish/pinkish tones to the skies. That the beauty of expired. Love it….

Out in the Bay, fishing away....

There are a number of things that Cornwall is renowned for, the surf, the cream tea, the pasty, our glorious beaches and Sardines, yes, Sardines. Historically, the Cornish Sardines industry was once regarded as the global leaders during 18th and 19th centuries. Cornish sardines today are still considered among the best in the world.

Today, the Cornish Sardine industry still thrives and comes out of the port of Newlyn but clearly not in the same volumes that use to be landed. There are a handful of commercial fisherman such as Danny, the skipper of the Golden Harvest, which continue to fish for sardines as his family has done over the generations.

I got the opportunity again recently to join Danny and the crew fishing out the Mounts Bay area one evening. I guess you’d expect that you can fish any time but there’s a reason behind why you’d fish that time. “Its the light” Im told. The evening light is that time of the day when the sardines tend to sit closer to the surface making it easier to catch. When I say easier to catch, Danny still has to hunt for them via his radar/fish finder for help.

If not not aware, commercial fishing is widely recognised as one of the most dangerous professions due to the high risk of injury. Having said that, Its very obvious to see that Danny’s and his crew are very experienced and professional throughout the whole trip. Each and every time they fish, they have to be. The slighest mistake and god only knows what might happen.

So how does this work then? Bear with me here Danny, I think I remember what you told me. If not then I should of paid more attention.
How does one set out to catch these little beauties then? Well, its called ring netting. Danny searches for the fish, once he spots a shoal of size, he shouts to the crew and they sling the net. Then its all about Andy’s skill as a skipper to position his boat and en circle the area as such forming a ring like structure, hence the term, “ring netting. I think I got that right. The crew then start to haul in the net alongside the boats winching gear.

Once the full net is alongside the boat, it’s time to get the tons, yes tons of Sardines on board. That done with a huge vacunm type set up which is dropped into the net and the suction begins and then fills the tanks below. Now when I say tons, that varies on the size of the catch. Danny will casts his nets several times an evening with the aim to catch as many fish as he can. The evening ins’t over then. They”ll return to port and then the off loading of the catch begins. Long hours indeed. The skipper and crew are paid on the basis of what they land. The guys do this six days a week for approximately eight months of the year. Cornish sardines still remain the best in the world. Thanks again Danny and the guys for your time and allowing me once again to come aboard. RD

you'll always find colour in St Ives

15 minutes down the road from where live is the town of St Ives. Probably the single most visited town in Cornwall by our lovely tourist, whilst also drawing, excuse the pun, would be Artists here as we have some of the best natural light in the UK. Thats something we photographers love too……

Ive lost count the number of times Ive shot content here for both work and play, but I have a rule in place that I always stick to providing in the weather is on my side. Shoot before 10am and after 3pm. Nothing in between. Why you ask?, well those are the times when I find the best light to shoot with none of the whiting over haze you often see in between those hours. Im not saying that this happens all of the time but I do know how the weather works down here and if there’s any haze, Im off.

The selection of the images I shot below are all with coastal colours in mind. You’re never short of finding colour here but if I may, a tip for you all, arrive early as you can as the place gets packed and those colours might get obscured by our lovely visitors

Choice of film stock that morning. Well, bearing in mind my first statement, “you'll alway find colour in St Ives” it had to be a roll of medium format Kodak Gold. Id run out of Ektar that morning and thats always my go to colour stock but Gold certainly came up with the goods that day - Shot on my Hassy 500. The perfect match…..