I don't have a favourite, but.....

July 10, 2025 in medium format cornwall, Hasselblad 500cm

I think its a really difficult question to answer if I have a favourite when referring to a single one of my camera’s. Its like saying, who’s your favourite child. All my camera’s have their own qualities both positive and negative but if Im shooting stills & portrait, I guess it would have to be my Hassy.

The Hasselblad 500CM is a big lump and for me, it’s not the rig I would use every day. Thats down to my 35’s and my 6x7. My Hassy does require some stability when shooting with it but believe me, once you’ve got your hands round it, its a killer rig to work with. It’s certainly not a camera Id use for motion related media, so thats why is so well suited for me when is comes to stills & portrait. Others might disagree but it’s all about which camera and set up works best, and on the MF front, this is the one for me

I came close to the idea of selling it recently when I was thinking about the last time I used. A stupid thought indeed which was further endorsed by wifey - “don’t you dare sell that”. She’s was so right. If Im honest, Id never find another one as good as this one if I’d sold it, I’d really regret it. Stupid boy! It’ll never be for sale….Im dying with it by my side.

So, what makes my Hassy so good for stills and portrait work then? Well, I love how solid it is and easy to handle. It feels like quality which it is and then there’s that rather engaging element I love so much, looking down into the viewfinder where everything comes into view. And then there’s the lens. One of the very best pin sharp 80mm Zeiss lenses out there. Im still amazes me just how sharp it is. All my work is “out of the box” meaning that its shot how I shoot it. None of that after processing with PS & LR, filters, presets and sharpening modes. I don’t have any need for that, never have, never will. I keep my photography real. Others out there enjoy those elements of photography and good for them but it simple isn’t for me. Afternoon bleat over…

Enclosed below is a gallery of just a few of my portrait, stills and other related content that Ive shot with the Hassy on a variety of film stocks

The faces of Mumbai

March 25, 2025 in documentary photography, travel photography, medium format cornwall, portrait photography

There’s one thing certain about shooting portrait content in Mumbai, you’ll never be short of it. Wherever you look, wherever you turn, there’s another face you’ll notice and yet another one you’ll spot out of the corner of your eye, or perhaps they might even be one staring at you. After all, as a white European, we’re somewhat of a novelty.

Remember this though, don’t assume that everyone likes the idea of have a camera raised and pointed at them. You need to connect with your subject first. I was fortunate enough to have some language skills to help me along the way as well as a local fixer gifted in the art of explaining in detail to the subjects who I was and what I’m was doing in Mumbai.
A freelance documentary film photographer working alongside UK & European media outlets. On this occasion, searching for print based media content to share with us all.

Please note: All of these shots were taken with the subjects consent

I came back - Automotive

September 08, 2024 in kodakfilm, medium format cornwall

After shooting automotive content over a number of years for several automotive publications and media outlets, I gave it all up. It just became too easy and I got fed up with the mags cropping my imaging, paying me when they wanted too and some of the owners of that automotive content telling me how good their rides were.

However, more recently Ive become re interested in that area of photography due to the premium quality and varied volume of content I now find myself shooting again. This time it’s different, no more of that digital rubbish as I now only shoot film.

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Sadly, print based media only takes digital content as they are after that pin sharp pixel crap that we as a nation have been programmed to believe it’s best. Here’s the thing though and this is directed to those blinkered magazine editors of the world, medium format film can be super sharp too and being film, it brings something that digi never will, a real texture and organic quality and lovely grain. Stick that in your digital pipe and smoke it.

Please note: All of the images contained within this post and other posts, and on my site are free from Photoshop, Lightroom and presets. All my imaging is real

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point and shot and free too...

December 14, 2020 in point and shoot 35mm

documentary film photographer cornwall

The Asahi Pentax 6x7 - a search for the right one

October 12, 2020

When I first decided to enter the world of medium format film, camera choice for me was key. I did find what I was looking for and I certainly made the right choice with the Hasselblad 500 CM. However, in the back of my mind at that time of that selection, the 6x7 did feature as a preferred choice but it was dismissed quite early on.

Moving forward a couple of years, I started to go through that phase like Im sure a lot of other photographers do where we begin to think about adding another camera to my collection. Do I really need one? will it improve my work?, nope, so why did I need the Pentax? If Im honest, Ive always loved the sear brutal look of the 6x7 and their retro design. What other camera has a wooden handle that size strapped to the side of it. I ask you.

So, I set about looking into all of the MF Pentax models, the Asahi 6x7, the Honeywell 6x7 ( its essentially the same as the Pentax 6x7, only marketed specifically to the USA) the 6x7 MLU (mirror lock up) the 67 and finally the 67ii. All very attractive in their own right but the Asahi for me was the most attractive in its design. A little further research into that model and it turned out that the MLU version was the more reliable one to have. Now, being the worst technical photographer in the world, I needed some help in the first instance and a big thank you to my on line technical guru, Gareth, for his impartial advice. His choice different to mine so I then set about finding the right one - what a quest!!

After searching the usual on line avenues of enquiries, it soon became quite apparent that the Japanese market was the best option for me as the UK’s examples were very average and extremely limited in supply. If you are in the market for a 6x7, or should I say a really good example of a 6x7, then Japan is the place to look. Not only that but after speaking direct to a few Japanese Pentax retailers, their very knowledgeable on all of the Pentax models.

My search took me a number of weeks as I couldn’t find a camera with a lens as a package that fitted the bill. Either the camera’s body was not a mint example, thats what I was after, or the lens with the camera had haze, fogging or mould etc.
That then meant the only option for me was to spend a little more money and buy separately. After some further searching I found a mint body, and it really is, the lens was next. Servicing was also super important for me when required and I managed to find a UK based Pentax experienced engineer who gave me some solid advice on which lens to get in his experience, thank you Parmath.. The 105mm lens so Im told is one of the best lenses ever made, but the SMC version is the one to have. Parmeth lost me a little on the technical reasons why but he takes them apart and has decades of experience working on them so his help was invaluable.

Finally, I managed to track down a truly excellent 105mm SMC lens so I now have the complete package. Now, if Im looking to buy another decent camera at any point, there’s always a certain number of prerequisite that I like to take into consideration.
In the event of me selling or moving on any of my kit at a later date, how attractive to a potential purchaser will my camera be. So buying the best example I possible can for the right money is key. Secondly, the more attractive and desirable models will be the ones to have so I take that into consideration too.

To summarise then. Ive now got what I set out to buy, a cracking example of a Asahi Pentax 6x7. Yes, I did pay a little more money by buying separate but I got what I wanted. Will it make me a better photographer, certainly not. I have to put my knowledge and shooting skills into it first and then see if it might produce another element to my work. The larger 6x7 negative will certainly do something to the viewing aspect of the images I produce and perhaps I’ll take that into consideration when shooting with the Asahi. Off to the gym now to build up those guns so I can lift this beast, hell!!

One final note if I may. If you’re looking to get a service done on a 6x7 and your based in the UK, look no further than Asahi Photo. Ask for Peter. He offer excellent advice and is able to service all of the 6x7’s

Some data for you guys that might be helpful if you’re looking at grabbing one:

Asahi Pentax 6×7 – the original model, launched in 1969 (first generation)
Asahi Pentax 6×7 (MLU) – with a mirror lock-up mechanism, launched in 1976 (second generation)
Pentax 67 – with minor cosmetic changes, launched in 1990 (third generation)
Pentax 67II – the fourth generation model, launched in 1999

Please note: Other views and opinions are available but these are mine…

the 10 shot project....

January 08, 2019

Im constantly looking for new ideas and projects to shoot at the moment. I generally start with a rough idea in my head, then look on line for some further inspiration and then think how I might display that project. However, this project needed to be about other photographers rather than me. Its also a project I wanted to share and it was super easy to find someone to collaborate with, Gareth Morton. A cracking film photographer who will bring a wealth of his knowledge to the project.

So, here’s the idea I came up with. The “ten shot project”. Ten shots, one theme, chosen by yourself and then submitted for review by way of our site. A social platform where we can share your work for all to see.